Daniel Blumberg - On&On - Daniel Blumberg

Daniel Blumberg - On&On

Lyric sheet with Daniel Blumberg's drawings included in pre-orders.

ON&ON TRACKLISTING 1. On & On 2. Sidestep Summer 3. On&On&On 4. Bound 5. Silence Breaker 6. On&On&On&On 7. Teethgritter 8. On&On&On&On&On 9. Pillow

Daniel Blumberg has announced details of new album On&On, a 9-track song cycle that confirms the London musician and visual artist as a unique creative force, and pushes the art of song into expansive new territories. On&On is set for release on July 31, 2020 digitally, and August 28, 2020 on CD and limited edition clear LP in the US and Canada.

On&On - which follows 2018’s Minus, Blumberg’s debut for Mute - is a consolidation of the deconstructed song aesthetic he has developed, operating at the intersection between conventional song structures and free improvisation. Now he takes this further, incorporating recurring, shape-shifting motifs and at times dissolving the boundaries between songs altogether. Title track ‘On&On’ appears four times across the arc of the record as if coming in and out of focus, an infinite song that encapsulates the paradox of the circle, existing in a liminal space between perpetual motion and stasis, as Daniel sings: ‘On and on and on and on and on…’

The album was born out of live sessions with the same core group of players as Minus: Daniel Blumberg (vocals, guitar, harmonica), Ute Kanngiesser (cello), Billy Steiger (violin), Tom Wheatley (double bass) and Jim White (drums), with the addition of electronic maverick Elvin Brandhi (vocals). As such it represents a deepening of relationships and distillation of techniques for this tight-knit group of free-playing musicians, who are loosely based around Café OTO.

It was recorded by Peter Walsh (Scott Walker), who captures the group’s extraordinary performances - encompassing the full expressive range of their instruments from softly-bowed melodies and tender vocal harmonies to rough-hewn scrapes, plucks and rattles - while the sound of the room and the outside world spill naturally into the sound field, as author David Toop puts it “as if a window has opened”.

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